HUMKO TUMSE PYAAR HAI is no classic. Nor does it swim against the tide. It’s no foolproof entertainer either. Yet, the goings-on compel you to train your eyes at the screen, especially towards the second hour.

HUMKO TUMSE PYAAR HAI is a vintage love story. It has that old-world charm that worked in the 1970s and 1980s. You can guess what’s in store next, but the execution of the material [Bunty Soorma, Vikram Bhatt] is absorbing most of the times, with certain dramatic moments making you forget the deficiencies.

TAXI NO. 9211 is more of a Mumbaiya film. Set and shot in the metropolis, the film depicts a day in the life of two individuals whose paths collide on a fateful morning and life is never the same again. Though the identification for a Mumbai viewer may be tremendous, it nevertheless is a film that makes a bold statement about societal pressures and human conditions. In a nutshell, TAXI NO. 9211 may not boast of that archetypal masala Indian moviegoers have been spoon-fed for decades, but it’s inventive and innovative. And, yes, it’s thoroughly satisfying.

After super sucess of Koi Mil Gaya, Roshan family focused more on Sci-Fi and this time its much bigger than before. The sequel to Koi Mil Gaya is full of X-men style animation effects, Matrix actions and surely spiderman style aerodynamics.

To many, the modern image of Bollywood is of fantasy and glitz, with a ‘disco-lifestyle’ of glamour and wealth. On the surface everything looks very simple, but the core values of these films remain immovably tied to 5000 years of religious tradition - most of it Hindu. Let’s not forget that Bollywood emanates from one of the world’s oldest civilisations. In India, religious thinking and values surround you in everything you experience - from the saffron robed holy men in the streets, to the sacred cows which wander freely through the traffic. Religion is so much a part if Indian life - how could it not be in the cinema?

The Inner & Outer World of Shah Rukh Khan is directed by the acclaimed London based documentary film maker Nasreen Munni Kabir and filmed by the celebrated British cinematographer Peter Chappell. With ?The Inner World of Shahrukh Khan?, Nasreen has for the first time tried to seek out the man behind the star as it catalogues his daily life over seven days on the sets of Main Hoon Na in India in 2004.

India-born director Deepa Mehta’s flim ‘’Water'’, which triggered violent protests while being shot in Varanasi five years ago, opened the Toronto International Film Festival. The opening-night gala at the Toronto Festival is traditionally reserved for a Canadian film.

John Abraham is one sexy hunk and he was proved this on Valentine’s Day when he got mobbed by a large number of female fans that went hysterically mad after him during his UK tour, for the promotion of his forthcoming film Taxi No 9211.

Sunil Shetty…… Anna
Sohail Khan…… Sameer
Zayed Khan…… Vicky
Ritesh Deshmukh…… Somil
Dino Morea…… Karan
Ashmit Patel…… Dinesh
Aashish Chaudhary…… Dikku
Rahul Dev…… Sandy
Yash Tonk…… Mohit
Dia Mirza…… Anu
Neha Dhupia…… Komal
Amrita Arora…… Shonali